If you believe WA Sports Minister Mick Murray, the new swanky $2 billion Perth Stadium is “open for all Western ns”.
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Well Mr Murray, I was needing a venue for an Irish family reunion around March 10, so would the McGowan government mind bumping the docile, banal and dull NRL double-header planned for that day at the Burswood stadium?

I’m more than happy for Sandgropers to pay a tenner to see a thousand or so Conor McGregor-like Paddies beat each other to the brink of death with a shillelagh after swilling on a few hundred litres of Jamieson, because it would be a better spectacle then any rugby league game.

On Monday, the Labor government announced rugby league clubs South Sydney Rabbitohs and Canterbury-Bankstown Bulldogs will open the 2018 NRL season against yet-to-be-announced opponents.

Being an absolute sports geek, I wouldn’t want to reduce anyone’s interest in a game that involves an odd shaped ball into a parody, but isn’t the Rabbitohs mascot called Reggie the Rabbit?

Maybe West Coast’s pet mascot Auzzie the Eagle and Reggie the Rabbit could battle it to the death and the winner’s team gets to open the stadium?

And while it’s foolish of me to direct my bitterness and resentment towards the NRL for getting in first, even rugby-lovers on the east coast will be scratching what’s left of their cauliflower ears, wondering why an Aussie rules-mad state is opening its 60,000-seat stadium when it doesn’t even have a team in the NRL.

Mr Murray claimed while the Eagles and Dockers were squabbling over who should be the first AFL team to play at Burswood, the NRL swooped in.

“We are not going to hold back when people want to use the stadium,” Mr Murray said on Tuesday. “It’s a stadium for all Western ns, not just one particular sport.

“They’ve (NRL) been out, they’ve been proactive, they have been on the front foot… let them come into the town.”

In July, when there were rumours floating around a rugby nines tournament could open the new stadium, I declared I would single-handedly hold 100 Black Swans hostage at the gates of the new Perth Stadium if a Mickey Mouse tournament was the first sporting event at the arena.

“I mean rugby is an interesting sport,” I said at the time. “Who doesn’t enjoy watching 120 kilogram men trying to manoeuvre their index finger up the clacker of their opponent’s backside?”

Mr Murray boldly claimed nobody cared what sporting event opened the venue.

“That stadium out there has cost us nearly $2 billion and here we are saying who is going to be the first to play on it,” he said. “For god’s sake, get over it”.

The truth is the stadium is leaking thousands of WA taxpayers’ dollars every day it remains unopened, so the government wants to recoup every cent it can.

But the reality is, we will probably never know how much extra coin has been flushed down the 800-odd dunnies at the new stadium, so a Western Derby opener in late March was perfect.

And while my argument that the Dockers or Eagles should be the first sporting teams at the new stadium is irrational and gloriously useless because no one in government gives a stuff, I bloody care.

WA is a footy state and thousands of Sandgropers who grew up kicking the footy in the backyard would take pride in seeing a Western Derby be the first sporting event at the stadium.

Even if that game was a preseason clash.

The so-called sporting elite in WA also don’t care what code opens the venue and have been rolling out that misguided idiom “who remembers what event opened the ANZ Stadium or Etihad or the MCG?”

The Communist Party of opened the MCG with their annual egalitarian three-legged egg race didn’t they?

Imagine before the 2000 Olympics in Sydney was held at Stadium and the AFL or WA Football Commission said ‘would guys be kosher with us opening the venue with an AFL game’?

The-then Premier of NSW Bob Carr would’ve sent troop across the Nullarbor.

The unpleasant fact is now a sporting code that no one in WA truly gives a rat’s bottom about will open a stadium that has been three decades in the making.

Mr Murray said “let the people of WA get out there and enjoy it”.

Well, everyone is invited to the Irish reunion shindig on March 10. Just bring your own whiskey and shillelagh.

Does the ordinary n find the c-word offensive?
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That is a question a NSW District Court judge had to consider on Tuesday during an appeal for Danny Lim, a man many Sydneysiders would recognise from his bright sandwich boards bearing political and social messages.

Mr Lim was convicted of offensive behaviour for standing on busy New South Head Road, Edgecliff, one morning in August 2015, wearing a sign that appeared to call then prime minister Tony Abbott a “c—“.



The word included an apostrophe as if it was the word “can’t”, and the letter “U” was represented by an upside-down “A”.

In February last year, a magistrate accepted it was a play on words, but deemed it offensive because a “reasonable person” would have been offended by the use of “c—” in reference to the prime minister.

For a court to deem any behaviour offensive, it must be considered likely to invoke “anger, disgust, resentment or outrage”, and arouse a “significant emotional reaction”.

Judge Andrew Scotting??? disagreed with the magistrate’s decision and quashed Mr Lim’s conviction.

The judge noted “c—” was referenced in Shakespeare’s Hamlet, was used regularly on television, and was less offensive in than other English-speaking countries.

He said by depicting the word like “can’t”, Mr Lim was making a play on words and did not “unequivocally” use the swear word.

“This is particularly demonstrated by the inclusion of the apostrophe in the relevant position.

“The front of the sandwich board is capable of being construed as being clever or light-hearted and thereby removing or reducing the force of the impugned word. It is also capable of being read as the word ‘can’t’.”

The judge said Mr Lim’s conduct was “in poor taste”, but was unlikely to have sparked a significant emotional reaction.

He said Mr Lim had demonstrated the “reasonable excuse” defence, saying his actions were political commentary.

Judge Scotting said politicians were often publicly criticised.

“This is an essential and accepted part of any democracy. That criticism can often extend to personal denigration or perhaps even ridicule, but still maintain its essential character as political comment.

“There is no reason to conclude that the prime minister, as the leader of the federal government, should be treated any differently to any other person who holds or seeks political office.”

The AFL has warned fans to only purchase finals tickets through approved sellers Ticketek as the ACCC launches legal action against ticket resale website Viagogo, which has duped unsuspecting AFL fans in the past.
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The warning came as footy fans took to Twitter in fits of anger claiming they had been locked out of the official Ticketek website while buying finals tickets on Tuesday morning.

And it emerged on Tuesday afternoon that tickets for all of the first-week finals were already being resold high above face value on the Ticketmaster Resale website. Tickets do not have to have been originally purchased on Ticketmaster to be sold on the resale site.

AFL Fans Association spokesman Gerry Eeman described the Viagogo and Ticketmaster Resale websites as allowing “legalised scalping” that “fleeces” fans.

“They are a tool to enable price gouging,” Eeman said. “There is nothing stopping the AFL from contacting the government and working with them on a fix.

“You can’t scalp AFL grand final tickets because of legislation so what’s stopping the AFL from pushing government to make it the same for all tickets?”. They’re at it already. Ticketmaster Resale is flogging tix for all four #AFL finals for up to $343.85. This must stop. pic.twitter苏州夜总会招聘/leQeKp8qCW??? AFL Fans Association (@FansAFL) August 29, 2017Ticketing tip – if the @Ticketek_AU website is saying “Allocation Exhausted”, try another category or another bay. Keep searching??? Richmond FC (@Richmond_FC) August 29, 2017And, sadly, @Ticketek_AU won’t cope. They never do. https://t苏州夜场招聘/ruSDbiw2hd??? Erica Spinks (@ericaspinks) August 28, [email protected]_AU fail again. 2 hours of this. I want my #sydneyswans finals tickets! pic.twitter苏州夜总会招聘/3heeRJvQCx??? Matt Hampshire (@mjhampshire) August 29, 2017

Inherit the WindTheatre ReviewsInherit the WindNewcastle Theatre Company, NTC Theatre, Lambton. To Sept 9.THE timelessness of moves by powerful officials to force people to comply with their biased edicts is shown in this engrossing production of the 1955 play by American writers Jerome Lawrence and Robert E. Lee.
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The story is based on the 1920s trial of a young male science teacher who ignored the legal prohibition in a strongly religious southern US state of telling students about Charles Darwin’s theory of evolution as a counter to the Bible’s declaration that God created the world in six days.

While director Pearl Nunn and her cast and crew have retained the 1920s setting through costuming, the change of sex of some of the text’s all-male court room characters, with the defence counsel becoming a woman, adds to the drama and comic moments of the arguments and the reactions they produce among trial participants and onlookers.

The large cast, headed by Lindsay Carr and Katy Carruthers as the sharply worded opposing counsels, keep the audience alert and amused. Carr’s prosecutor, Matthew Harrison Brady, and Carruthers’ defence attorney, Henrietta Drummond, were once the best of friends, but Brady’s pompous and self-righteous behaviour helped drive them apart. The play includes an engrossing sequence in which Drummond calls Brady to the stand as an expert on the Bible and tries to question him about Darwin’s writings.

The other characters are also very real people. Lee Mayne’s Bertram Cates, the modest and generally quiet teacher on trial, at one point angrily shouts out the actual damning words the local fundamentalist preacher had used in referring to one of his students, rather than those stated by the preacher’s daughter, Rachel (Belinda Hodgson), who is a fellow teacher and his girlfriend.

Carl Gregory beings out the cynicism of E. K. Hornbeck, a young journalist assigned by a Baltimore newspaper to cover the trial; Paul Sansom’s spiritual leader, Reverend Brown, is zealous and controlling; the stern face of Stephanie Cunliffe-Jones’ district attorney, Davenport, switches to concern when Drummond makes telling points; and Brian Wark’s judge is clearly determined to be impartial, despite his religious beliefs.

The other characters include Meeker (Noel Grivas), the non-judgmental and helpful bailiff at the court house, Brady’s wife (Jennifer White), who is concerned about his health, the town’s mayor (Phil Haywood), who is worried about the economic future of the town in view of the publicity the trial has received, two teenage school friends, Howard (Sean Heffron), who has to take the witness stand to answer questions about Cates’ teaching, and Melinda (Lotte Coakes-Jenkins), who is a firm believer in the Bible. The other actors, Judith Schofield, Corinne Lavis, Bridget Barry, Mike Peters, John Wood, and Maxine Mueller, play townfolk, jurors, reporters and business people.

Graham Wilson’s set design enables swift changes between venues that include a court room, railway station and the town square.

​* * * * * *​ * *

The Crucifer of Blood

The Crucifer of BloodDAPA, DAPA Theatre, Hamilton. To Sept 9.Paul Giovanni’s play, based mainly on the Sherlock Holmes novel The Sign of Four, has a young adult Holmes (played by Alex Faber) and friend Dr John Watson (Duncan Gordon) investigating, at the request of a worried young woman (Maddie Richards), a pact her father and two other British military men made in India 30 years earlier when they confiscated a treasure chest.

It has literally become a blood pact, because the incident that led to the woman, Irene St Claire, knocking on Holmes’ Baker Street apartment door was seeing a letter envelope her father had received in the mail, with a cross-shaped mark on it etched in blood.

It’s a lively tale, with lots of funny moments and increasing dead bodies, staged by director David Murray on realistic sets that include an Indian fortress wall, Holmes’ well-decorated apartment, a spooky country lodge, an oriental-adorned opium den, and a boat crossing the river Thames. While I felt the elaborate set changes took too long at the performance I attended, other audience members didn’t seem to mind the wait, as they were kept in suspense until the final moments as to how the story would end.

The actors certainly do a good job, with a few changing roles during the story and looking very different from the characters they initially played. Peter Eyre, for example, is first seen as Durga Dass, one of the Indians who are accomplices to the treasure-hunting English soldiers in the story’s opening scene but are betrayed by them. He later becomes the dim-witted and over-the-top Scotland Yard inspector Lestrade who views himself as an exemplary investigator. Sean Hixon likewise goes from being an Indian to a creepy butler, Birdy Johnson. And stage manager David Ebert makes a couple of momentary appearances.

The treachery of the three English soldiers in the opening sequence has clearly had an impact on their lives 30 years later. Oliver Pink’s Major Ross sharply delivers orders aimed at helping him to keep the major share of the treasure, but while he is similarly seen in upmarket garb in the 1887 scenes he is clearly suffering from memories of the past and fear of treachery. Irene’s father, Captain St Claire, played by director David Murray, is also going through trying mental phases. And the third accomplice, Jonathan Small (Michael Smythe), who was a private at the time, is bitter about the way Ross and St Claire treated him because of his lower rank.

The three young characters are understandably the brightest. Alex Faber’s violin-playing Holmes is quick to realise what people’s behaviour means, Duncan Gordon’s Dr Watson trusts Holmes’ interpretations, and he helps to soothe Irene’s troubled mind, with the pair falling in love.

SEASON OVER: Daniel Saifiti requires shoulder surgery and will miss out on representing Fiji at the World Cup in October. Picture: AAP DANIEL Saifiti’s dream of playing at a World Cup is over –for now.
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The in-form Knights front-rower consulted a specialist on Tuesday and requires surgery after disclocating his shoulder in the 46-28 loss to Canberra on Friday.

The 21-year-old had hoped to play in the final-round against Cronulla at McDonald Jones Stadium on Sunday before representing Fiji at the World Cup starting late October.

Instead, he will have a shoulder reconstruction within the next fortnight and be restricted to light duties when the Knights return to training in November.

Daniel and twin brother Jacob were among Fiji’sbest in a 26-24 loss to Tonga in May, and were shaping as key figures for the Bati in the end-of-season tournament.

Jacobwill take his brother’s place in the starting side against the Sharks.

Tyrone Amey, who played for Maitland against Central in the Newcastle Rugby League earlier this season, will make his NRL debut from the bench in the only change from the loss to the Raiders.The 21-year-old lock scored a brilliant solo try for the Knights reserve grade team in a 30-24 win over Wentworthville a fortnight ago.

Former n Schoolboy Pasami Saulo has been named on anextended bench.

BIG MAN SOLO TRY!!!! pic.twitter苏州夜总会招聘/pmLskbwW5P

— froGGG! (@WallyFrogmore) August 19, 2017

However, the Knights have again erred on the side of caution with Sione Mata’utia.

The skippersufferedathird game-ending head knock of the season against Melbourne 10 days ago.

He satisfied the return-to-play protocols but, after consultingneurologist Dr Andrew Gardner, it was deemedin Mata’utia’sbest interests to sit out the final two games.

Frustrated,Mata’utia pushed hard for a return this week but the Knights have stuck to the safety-first policy.

“Sione desperately wants to play,” coach Nathan Brown said prior to naming the team.“He has passed all the tests he needs to pass, but we need to work out if it is the right thing for Sione.He will sit down and talk to the specialists. If DrLevi and Dr Gardnerthink it is fine for him to play, we will name him. If theysay he is not fine, we won’t name him.”

The visit by the Sharks,as well as Old Boy’s day, will be the final appearance for the Knights by a number of players.

Dane Gagai (South Sydney), Mickey Paea (Hull) and Joe Wardle (Castleford) are confirmed departures and Peter Mata’utia and Lachlan Fitzgibbon are uncontracted.

For Gagai, it spells the end of six yearsin Newcastle in which he has progressed from a promising prospect into aMaroons Origin star.

“It would be a great for us to have a win to farewell Gags,” Brown said. “There are many numbers of players who it is their last home game. It would be great to send them off with a win.”

Brown said Gagai hadbeen a “shining light for the club, not only on and off the field, but in the reparena as well”.

“We are quite hopeful that Dane’s Origin form will take him into the Test side at the end of the year,” Brown said.

Asked if Gagai should be in the n squad for the World Cup, Brown said: “It’s not for me to pick theside. I don’t have the Origin and World Cup coaches telling me what side I should be picking.What I do know is that he served Queensland very well in two Origin-series wins. I’m sure that will carry some weight with Mal Meninga and the selectors.”

PHOTOS: Carrington pump housePIECES of the Hunter’s waterfront industrial heritage have been recognised, with the Hydraulic Engine House and Carrington crane bases earning state heritage status.
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Parliamentary Secretary for the Hunter Scot MacDonald announced the new protections for the Bourke Street sites, including four of the crane bases.

The Hydraulic Engine House, built in the 1870s, hefted coal onto ships using hydraulic cranes.

Together the five items represent the most complete example of a pre-conveyor belt coal loading system that still exists in .

“The Hydraulic Engine House was an n first and industrial wonder for its time,” Mr MacDonald said.

“It was the only nineteenth century hydraulic power facility in NSW especially for coal loading and was considered an engineering masterpiece and demonstrates the acknowledged importance of Newcastle harbour in the State’s economy at that time.”

NSW’s northern coal fields accounted for about 70 per cent of all coal production in the state for half a century between 1880 and 1930.

The coal those fields produced shipped out through Newcastle.

Throsby Basin Business Chamber president Clare Monkleywelcomed the announcement, which she said would help safeguard the industrial landmarks.

“It is so important to protect such important icons for future generations that have played a significant role in the development of Carrington and the wider community” Ms Monkley said.

The structure, which was decommissioned in 1964 and abandoned in the mid-1990s, has been used for storage in recent years.

In February the Port of Newcastle welcomed $500,000 from the state government to preserve the facadeand create an outdoor plaza outside the Victorian Italianate structure.

CHALLENGE: Newcastle fast bowler Burt Cockley at No.1 Sportsground on Tuesday before relocating to the US. Picture: Josh Callinan North Lambton to Perth to Kansas.
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It’s not your traditional cricketing journey but retired first-class fast bowlerBurt Cockley is about to embark on a US mission.

Coaching club side Waratah-Mayfield and helping out withNewcastle representative teams while home at the moment, the 31-year-old may soon put his “rollercoaster” decade on the professional road to use overseas in a country much more aligned with bases, baskets and the Superbowl then runs, wickets and the Big Bash.

“I never thought I’d play professional cricketyet alonetravel the world and cricket be the vehicle to do that,” the injury-plaguedNSW, Western and Indian Premier Leaguequick said.

“From a pretty humble background to fulfill a dream in cricket and earn my income through a hobby. Ifeel very lucky and privileged.”

The relocation has beenprompted by his American-based father-in-law battling prostate cancer.

Cockley’s wife Rachel has already left while he waits for visa approval.

Family andpost graduate studies at the University of Kansaswill come first forCockley, who recently completed a sport science degree in Perth and ranhis own strength and conditioning business, but he also sees an opportunity to stay involved in the game.

Hismove comes at an interesting timewith the International Cricket Council and the USA Cricket Association on rocky terms, including a contested expulsion last month.

“It’sexciting to go over there because it’s a developing gameand there’s a lot of potential growth within America,” Cockley said.

“Obviously it’sa country where cricket isn’t themain sport, but I’m hoping to get a chance to help out. I’ve already spoken to them andlet them know I’m coming over.

“I don’t just want to give up on cricket. It’s mything and Ilove it. Iwant to be able to give back to young cricketers coming through and contribute in some way. So if a chance arises to help in any way I’ll jump at it.”

He’sput that mantra to the test during the last few weeks–sharing his story with Newcastle juniors while sitting alongside former teammates Mark Littlewood and Nathan Price as well as former coach Mark Curry.

Cockley has also been running sessions each Friday and Sunday forWaratah-Mayfield, where he made his senior debut.Once he departs Steve Taylor will take over the coaching reins for the rest of 2017-2018.

Cockley played in 14 first-class and seven List A matches between 2008 and 2013.

In 2009 he was picked for to play a washed outODI in India.

DROP OF OPTIMISM: Sarah Austin as Helly, in Helly’s Magic Cup. The play is being staged by Maitland’s Upstage Youth Theatre.HELLY is a 12-year-old girl who lives on an n farm. It’s not the best of times. There has been a long drought, her father is silently suffering depression after falling off a tractor, leaving her mother with a huge workload, and, as the story begins, their aged beloved cow, Guinevere, drops dead.
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Helly, though, is an optimist. She believes the soup tin she has dangling from a cubby house is a magic cup and dreams of a knight in shining armour coming to save the farm.

Helly is supported by her eager younger sister, Loo, who talks to insects and says they tell her what is about to happen. And while a knight does come, in the form of a dashing government agricultural scientist, it is Helly’s determination that helps to solve the family’s problems.

Rosalba Clemente’s play, Helly’s Magic Cup, is more grounded in realism than most plays for young audiences, with situations that will be familiar to the adults who accompany them. But the brightness of the two child characters and their game-playing blend neatly with the more serious scenes. And there are amusing sequences when Guinevere comes back to life in the children’s imaginations to offer advice.

Helly’s Magic Cup is being staged by Maitland’s Upstage Youth Theatre at the Upstage Studio, 317 High Street, Maitland, with five performances from September 13.

The 20-member cast, with predominantly young people among the performers aged 10 to 32, is being directed by Jessica Rose.

The story has six main characters, with Sarah Austin as Helly D’Oro, Gabby Coren and Ivy Paleologos alternating as Loo, Sophia Derkenne as their mother, Mary, James Wilkinson as father, Joe, Jack Maslen as the scientist, Nick Saunders, and Hannah Chapman and Yeshi Lodue alternating as the black-and-white Jersey cow, Guinevere.

Jessica Rose has a farming background, which has added to her appreciation of the situations the characters find themselves in. She notes that the farm structures that are part of the story’s setting have been made from recycled timber. And lighting and sound will help to create occurrences such as a fierce dust storm.

Two choral groups will indicate what is going through the children’s minds, with Helly’s chorus reflecting her dreams and Loo’s having the sound of insects.

The story also has surprises, such as a revelation by the scientist, that will have some adults reflecting on their lives.

Helly’s Magic Cup can be seen nightly at 7.30pm from Wednesday, September 13, to Saturday, September 16, plus an 11am Saturday matinee.

Tickets ($25, concession$20, family of four $80)can be booked through upstageyouththeatre苏州夜总会招聘.au.

n Rugby Union chief executive Bill Pulver says billionaire Andrew “Twiggy” Forrest was simply too late to the table with a stunning $50 million offer to prop up the Western Force and assure the future of the code.
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Pulver is also remaining tight-lipped on whether the ARU has a plan B should the Force win its appeal in the Supreme Court of NSW to remain in Super Rugby next season.

Speaking at the launch of the National Rugby Championship, which kicks off this weekend, Pulver once again expressed sympathy to the people of Western who look set to lose their team, the Force, from Super Rugby in 2018.

Forrest, who only announced his public support for the Force after the club’s final match in mid-July, met with ARU chairman Cameron Clyne and other directors last week to put an offer of $50 million on the table to guarantee the Force’s financial viability.

To the bewilderment of many people, the ARU turned down the offer, mainly because they have promised SANZAAR they will cut a team from next year’s competition.

Such a large sum of money could do wonders for the code in but Pulver, who was not present at the meeting in Adelaide, said it was disappointing Forrest did not come forward earlier with his cheque book.

“I wish he’d been involved in the process perhaps a little earlier, that would have been helpful,” Pulver said. “There are plenty of opportunities to add to the player development pathway. If he’s got investment ideas, we’d love to talk to him.

“We are way down the track, sitting here about five months from kick-off in Super Rugby ??? having made commitments to SANZAAR to go to four teams and having had an [extraordinary general meeting] where our members voted to go to four teams. It’s a little late in the process to be making that sort of change.

“If Mr Forrest is looking to invest in n rugby, that’s a wonderful thing and there are plenty of opportunities. I understand a range of $10 [million] to $50 million was tabled in relation to investment in the n Rugby Foundation.”

Pulver said there was no news to report on the Force’s future.

“Last Wednesday it was heard, and I think some time next week we’ll hear an outcome and we’ll respond to that when we get to it,” Pulver said. “I can’t predict it [the outcome]. We just have to wait and see what the judge comes up with.”

Asked whether the ARU had a plan B should they be unable to remove the Force, which would create all sorts of complications, Pulver replied: “We’ll deal with that when we get to it. We’ll find out next week what the result of the appeal is and we’ll respond to that.”

Pulver reiterated the ARU’s position that could not maintain five Super Rugby teams.

“It is the right thing,” Pulver said. “If you look at the Super Rugby season we’ve just finished we were 0 and 27 against NZ teams. From a player depth perspective we’re not adequate, and from a financial perspective we don’t have the resources to get there.”

As for his own position as chief executive, Pulver said he expected to be out the door by the end of the year after announcing earlier this month he had handed in his resignation.

“I understand the board is appointing a recruitment agency to find a new CEO and I will simply stay on until they find that new CEO, presumably some time before Christmas,” Pulver said.

Pulver was keen to talk about one of rugby’s better weekends on the back of a packed North Sydney Oval for the Shute Shield final as well as the Wallabies’ valiant effort in Dunedin against the All Blacks.

“Club rugby is in great shape,” Pulver said. “The Sydney competition was really well run and [there is a] good fan base coming out to watch the games, and I think it’s a good sign of the grassroots.

“It was great tonic to see how the [Wallabies] played on the weekend. To see them push the No.1 team in the world – arguably the best team of all time – the way they did on the weekend was very encouraging.”

A crane has collapsed into Sydney Harbour near the iconic Luna Park. Photo: Luke Bayly/@baylyA crane has collapsed into Sydney Harbour, snapping a large cable which damaged the facade of the iconic Luna Park face, according to witnesses.

Luke Bayly watched the crane toppled from a barge at about 1pm where it was operating near Milsons Point on Sydney’s lower north shore.

“It was a huge bang, it startled me, I thought a bomb had gone off,” he told ABC News.

Fire and Rescue NSW has not been called to the incident. A salvage operation is under way.

The crane, positioned under the Harbour Bridge, was being used to build the new Milsons Point ferry wharf.

A spokesperson for SafeWork NSW said police had alerted them to the incident and inspectors were on their way to the site.

It is unclear at this stage what caused the incident on Waterway Construction’s barge.

Another witness, Daniel Da Silva, whose boat charter agency business is located in the neighbouring marina, heard the crane fall and went to investigate after receiving a call from a tenant.

“I also heard the bang but didn’t know what it was so I jumped in the tender and raced out to see if one of our tenant’s boats had exploded,” Mr Da Silva said.

Charter boat owner Luke Feledy was working on his boat nearby when he heard a “bang”.

“I looked up and there was this huge wave of sea spray caused by the crane crashing into the water,” Mr Feledy said.

“The bang was like this massive crack sound and I am pretty sure something snapped or broke for sure.”

Witnesses also saw a cable snap from the crane as it fell into the water which landed on the entrance to Luna Park.

It’s the latest work site incident to take place on the harbour in several months.

In March, a man was killed was working on a barge when he was struck by a metal object.